DODECAPHONIC ESSAY CLARINET CHOIR

Orange County Clarinet Consort. The especially warm tone of the E-flat clarinet, which was displayed in the next piece on the program, Dodecaphonic Essay , by Elliot del Borgo , blended beautifully with the ensemble. The piece began with a light and bouncy theme, passing a staccato, ornamented motif across the ensemble, then transitioned to a lyrical melodic line featuring large leaps. It consisted of many unique themes and melodies, with sudden changes of style occurring often. Click here for instructions on how to enable JavaScript in your browser. Full of chromatic runs, comical interruptions of the melody by the higher voices, and the passing of notes individually from one player to the next, Clownery for Clarinets was an amusing piece.

The especially warm tone of the E-flat clarinet, which was displayed in the next piece on the program, Dodecaphonic Essay , by Elliot del Borgo , blended beautifully with the ensemble. The piece returned to the original idea before arriving at a quick and exciting finish. The piece began with a light and bouncy theme, passing a staccato, ornamented motif across the ensemble, then transitioned to a lyrical melodic line featuring large leaps. Orange County Clarinet Consort. Brian Viliunas joined the ensemble to conduct a few pieces.

This piece featured sudden style changes and the note-by-note building of highly-dissonant fortissimo chords. It consisted of many unique themes and dodecaphoinc, with sudden changes of style occurring often.

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The piece returned to the original idea before arriving at a quick and exciting finish. The dance-like movement was undeniably reminiscent of a sea clarinft.

Sheet music: Elliot Del Borgo: Dodecaphonic Essay (Clarinet Ensemble)

The notable balance exercised by the ensemble again was apparent, with all parts beautifully supporting the forlorn melody as it flowed through the ensemble. The piece began with stereotypical circus music that might accompany a clown show at a circus, suddenly transitioned to a slow, sultry jazz theme, featured the first clarinet in a cadenza-like solo, then moved to a dance-like theme before finally returning to the original circus theme.

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In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. Brian Viliunas joined the ensemble to conduct a few pieces.

dodecaphonic essay clarinet choir

The piece began like a fugue, each part from the contrabass up through the E-flat entering with the lilting melody until all members of the ensemble were playing. The especially warm tone of the E-flat clarinet, which was displayed in the next piece on the program, Dodecaphonic Essayby Elliot del Borgoblended beautifully with the ensemble.

Next, the ensemble performed Clownery for Clarinets by Harry Stalpers The group played high altissimo chords at incredibly soft dynamics with impressive intonation. Leave a Reply Cancel reply Your email address will not be published.

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dodecaphonic essay clarinet choir

The piece began with a light and bouncy theme, passing a staccato, ornamented motif across sssay ensemble, then transitioned to a lyrical melodic line featuring large leaps. The piece began to come to a close as the entire ensemble played fortissimo ascending and descending chromatic runs, then ended unexpectedly with a soft staccato note by the contrabass clarinet, eliciting laughter from the audience.

dodecaphonic essay clarinet choir

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Full of chromatic runs, comical interruptions of the melody by the higher voices, and the passing of notes individually from one player to the next, Clownery for Clarinets was an amusing dodecaphohic. The ensemble displayed exquisite balance, sensitivity, and a lush, warm sound. This clarinet choir consisted of eight members: Your email address will not be published.

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